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New Delhi: Harper Perenneil, Yashodhara: A Novel. Varavara Rao, P. Jangalnama: Travels in a Maoist Guerilla Zone. Satnam and Vishav Bharati.
New Delhi: Penguin Books India, Captive Imagination: Letters from Prison. However the first written evidence of the dramatic performances was by Palkuriki Somanatha in the thirteenth century AD. The only extant play of the medieval period is Kridabhiramam, translated from Sanskrit by Vinukonda Vallabharayudu.
In the fourteenth and fifteenth centuries, Sanskrit dramas were translated in poetic form as kavyas. Later the Nayaka — and Maratha — kings of Thanjavur chose Telugu as their court language and patronized drama through song-and-dance yakshaganas, performed both in the court and village squares.
With the advent of English education in the second half of the nineteenth century, modern Telugu drama came into being with translations from Sanskrit and English.
All of these early attempts were closet dramas. Veeresalingam, a reforming man of letters, was the first to stage modern Telugu productions, such as his own Vyavahara Dharmabodhini A Primer of Legal Practice, , an indictment of the legal profession. In the same year Dharwada Nataka Samajam toured Andhra with its Hindi productions and inspired several Telugu playwrights to start amateur groups. Veeresalingam, Kondubotla Subrahmanya Sastry and Nadendla Purushothama Kavi wrote and staged plays on the Dharwada model between to in Rajahmundry, Guntur, and Machilipatnam respectively.
Influenced by the Parsi theatre and company theatre productions from other parts of India, Dharamavaram Ramakrishnamacharyulu of Bellary initiated the tradition of padya natakam—literally, a play with metrical stanzas sung to an elaborate raga, like Chitranaleeyam The Curious Story of Nala, Even though poetry dominated dramatic writing, without adequate characterization and plot development, a few playwrights of verse drama padya natakam stand out for their happy blending of poetry and dramatic technique, including Panuganti Lakshmi Narasimharao, Balijepalli Laxmikantham, and Tirupti Venkatakavulu.
It was during —2 that Vanarasa Govindarao founded his Surabhi theatre, which grew into several troupes as his family multiplied. These theatre groups mainly staged mythological musicals and occasional historical plays. The next 30 years —30 saw the rise and fall of the commercial theatres. Zamindars landlords interested in promoting theatre activities founded companies and produced extravagant productions. Three such prominent companies include the Hindu Nataka Samajam Rajahmundry.
The directors employed the best talent available in the Telugu-speaking region. The Parsi models of trick scenes and roller paintings dominated. In the hub of this commercial activity rose two distinguished theatre groups—Ramavilas Sabha Tenali and Indian National Theatrical Company Machilipatnam —which staged well- crafted plays with dedication and disciplined artistry.
However, with film attracting the best talent, the downfall of the commercial theatres was inevitable, and the earlier popularity of the padya natakam was seriously affected. The nationalist movement from the s onwards brought into focus chronicle and historical plays reflecting contemporary events, and some of these plays were proscribed. Translations of Western plays and original plays with a romantic aura dominated the amateur stage. By realism became the prominent mode of dramatic writing.
By theatre activity increased, with the Andhra Nataka Kalaparishath organizing annual festivals and competitions; Praja Natya Mandali produced powerful plays on rural inequalities; and Andhra University promoted experimental theatre through drama competitions.
These activities provided a firm ground for the next 30 years when products of these institutions enlivened the theatre. Natya Sangham remained, for a short time, the primary forum for theatre activities under Abburi Ramakrishna Rao and A.
Between and , competitions parishaths were very much in vogue and produced some outstanding plays exemplifying social critique, such as N. By as many as associations were conducting annual competitions, with dramatists like Bhamidipati Radhakrishna, Gollapudi Maruthirao, Yendamuri Veerendranath, Ganesh Pathro, and Haranathrao exploring contemporary problems relating to inter-caste marriage, social inequality, and the oppression of women. Divakarbabu, Patibandla Anandarao, Bharani, and Valluri Siva Prasad have continued the tradition of social critique in their condemnation of the exploitation of the depressed classes.
The theatrical scene at the start of the new century offers mixed fare. While the verse play finds occasional audiences, the social problem play is more popular. Street theatre is emerging as a viable alternative for social protest beyond the strictures of the realist, proscenium play, while university theatres devote time and energy to producing experimental plays and occasionally classics. Girls for Sale Kanyasulkam Trans.
New Delhi: Penguin, Vijayasree and T. Bridal Bargain. Gopala Murthy and K. Ramesh Babu in Enact No. Hyderabad: Guruzada Memorial Research Centre, Bheemanna, Boyi.
Coolie, the Sovereign KuuliRaju. Hyderabad: P. TeluguIniversity, Chandrasekharam, Veluri. Guntur: Radha Publications. Krishna Raju, K. Mangalore: Mangalore: Codialboil Press, Virabhadra Rao, J. Kakinada: Scape and Co. Kakinada: n.
Sarangadhar: a Hindu Drama in English. Adaption from the Telugu original. Narasimha Rao. Cocanada: n. Rao, Vasudeva. Nala and Damayanti. Madras: n. Thirst Daaham. Tutun Mukherjee. Staging Resistance: Plays by Women in Translation. New Delhi: , Reddy: A Telugu Poet and Critic. Chalapati Rao. Krishnamurthy, Devulapalli. Life in Anantharam. Gita Ramaswamy. New Delhi: Banyan Tree, Nageswara Rao, E.
Abburi Ramakrishna Rau. Narasimha Rao, V. Chilakamarthi Lakshmi Narasimham. Narla, V. Gurazada: A Telugu Social-reformer and Writer. Kethu Vishwanatha Reddy. Veeresalingam: Telugu Writer and Social Reformer. Radhakrishna, B. Paravasthu Chinnaya Suri. Unnava Lakshminarayana. Ramakrishna Rao, Adapa. Annamacharyulu: A Telugu Saint-poet. Satyanarayana, Y. My Father Balaiah [an autobiography originally written in English]. Sharma, Rani Siva Sankara.
The Last Brahmin. Venkat Rao. Hyderabad: Permanent Black, Venkatavadhani, D. Pothana: A Telugu Poet. However most of their critical works remain unknown outside the Telugu speaking domain. With the emergence of translations, and publications of theory and criticism of bhasha literatures, the non-Telugu readers could get to know the richness, density and originality of the Telugu writing. The publications of Telugu criticism in English being a recent trend, credit for Telugu linguistic scholarship in English goes to Bhadriraju Krishnamurti.
Velcheru Narayana Rao contributed immensely to criticism of modern and classical writing. Both of them wrote extensively, reaching out to the non-Telugu Indian and European readers.
The following articles and full length books, with possibly many omissions needing to update time to time, are indicative of the extent of English criticism of Telugu writing. Glimpses of Telugu Literature. Calcutta: Writers Workshop Publication. Bharathi, Thummapudi. A History of Telugu Dalit Literature. New Delhi; Kalpaz Publications, Brown, Charles Philip. Campbell, A.
A Grammar of the Telugu Language. Madras: Government Press, Chenchiah, P. A History of Telugu Literature. Jayalakshmi, ed.
Experience of Translators on N. Hyderabad: Jishnu Publications, Krishnamurti, Bhadriraju, et al. A Short Outline of Telugu Phonetics. Calcutta: Indian Statistical Institute. Comparative Dravidian Linguistics: Current Perspectives. The Dravidian Languages. Cambridge Language Surveys 1 ed. Cambridge: CUP, Studies in Telugu Linguistics. Hyderabad: C. Brown Academy, Delhi: Motilal Banarsidass, Hyderabad: Book Links Corporation. Studies in Translation: Theory and Practice.
Gopal Reddy. New Delhi: Prestige, Krishnamurti, Bhadriraju and Aditi Mukherji. Modernization of Indian Languages in News Media. Hyderabad: Department of Linguistics, Osmania Univ, Krishnamurti, Bhadriraju and J.
A Grammar of Modern Telugu. Lakshmi Prasad, P. Poetry of Raamaa Chandramouli: Critical Perspectives. Gurugram: Reliance Publications, Laxmi, Haribandi.
Booklinks Corporation, Translation Studies: Theory and Practice. Hyderabad: Potti Sreeramulu Telugu Univ, Telugu Women Writers - Hyderabad: Book Link Corporation, Hyderabad: Vishalndhra Book House.
Mehta, Amrit and Haribandi Laxmi. Nagabushana Sharma, Modali. Hyderabad: Ranga Sampada, Narayana Rao, Velcheru et al. New Delhi: OUPress, Texture and Authority: Telugu Riddles and Enigmas. Hasan- Rokem and D.
Shuylman, edt. Radhakrishna, Budaraju. Telugu Novel. Yuvabharati, Sitapati, G. Vinoda, T. Venkateshwara Sastry, J. Art and Science of Translation. Hyderabad: Centre of Advanced Study in Linguistics, Satyanarayana, A. Dalits and Uppercastes: Essays in Social history. New Delhi: Kanishka Publishers, Mar- April : Atreya Sarma, U.
Bhargavi Rao, P. Chinnaiah, Jangam. Addamlo Vidyarti: Kavitha Samalochana. Hyderabad: Padma Surya, Akut, Warangal: Akut, Hyderabad: Telangana Sahitya Samakya, Sadasiva The Hindu.
Friday, October 29, Friday, March 12, Friday, April 16, Friday, August 27, Kesava Rao, D. Kesav Kumar. Krishnamurti, Bhadriraju and C.
Krishnamurthi, Sh and B. Sahitya Akademi, Krishnamurti, Bhadriraju. UCPL Berkeley and Los Angeles: Univ. Kumar, Shiv P. New Delhi: Excel India Publishers, Mohanacharylu, G et al. Nagaraj, Paturi. Margaret Mills et al.
New York: Routledge. Barbara R. Blackburn Stuart and Vasudha Dalmia. J Brill-Leiden. VI Narayana Rau, B. Jan-March Naveen and B. July-Aug IX: 2 December : Economic and Political Weekly. ZLV: 22 May 29, : Dalit Movements and Literature. Brown and Telugu Renaissance.
Ghanta Chakrapani. Education and Social Empowerment in India. New Delhi: Milind Books, Dalits and Social Marginalisation. Jaipur: Avishkar Publishers, Pandu Ranga Rao, Vakati. Mar-April Print Prabhakar Rao, S. Rajan, The Growth of the Novel in India. New Delhi: Abhinav publications, Prasad, Kalekuri. Rajaram, Madhuranthakam. Syamala Kallury, Indian Literature July-Aug : South Africa —.
Revised and reprinted in The Quest New Delhi: Prestige, : Fresh Signatures. Secunderabad: Yuva Bharathi, Ramakrishna, V.
Ramakrishnan, E. Rambabu, Vedagiri, ed. New Delhi: Penguin India, XXII 4 Dec Satyanarayana, K. Jan-June , Seshendra Sharma. Turned into Water and Fled away. Hyderabad: Indian Languages Forum, Sreedhar, M and Uma, Alladi. New Delhi: Sage, Srikanth, H.
Srinivas, Denchanala. Srinivas, T. Subbarayudu, G. Nalini Natarajan. Westport: Greenwood Press, Chandrasekhara Reddy, G. Suneetha Rani, K. New Delhi: Atlantic Publishers and Distributors, Sachidananda Mohanty et al. Delhi: Authors Press, Jaipur: Aavishkar Publishers and Distributors, Vol II: No 1 March : Swaroopa Rani, Challapalli. April 25, Carousel Next. What is Scribd?
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English V. English M. Venkata Swamy Telugu M. Subbarao Telugu G. Venkateswara Rao Telugu Govindaraju. S Telugu Ananthacharirar.
B Sanskrit Ananta Charya. Ramanadhashastry Telugu Singana. M Telugu Singana. M Telugu Narasimha Reddy. U Telugu VrushadriPati. English R. Jaganatha Naidu Tamil M. K Telugu Vidya Sekharalu. V Telugu Kodanda Ramaiah. T Telugu Kodanda Ramaiah. A Tamil Sharatbabu Telugu P. Vedavathi Telugu s. Murthi Telugu Devaki Prakasam.
A Telugu G. Joogiraju Telugu T. K Telugu Subba Rao. Vijaya Telugu Koam Raju. K Telugu Tamil Anantha Charya. B Sanskrit Mahadeva Sastry. Krishnamacharyulu Telugu Krishna Swamy. M Telugu Prof. Subbu Reddiar. C Telugu C. P Telugu P. Mallaiah Telugu M. Nagabhushanam Telugu Arka Somayagi. D Telugu Pandit Sivadatta. D Sanskrit M. Gopalacharlu Telugu Sekkizhar Adi - p - podi T. Ramachandran English Molla S. Donaldson and Alexander M. Capron English T. Ramachandran English K.
Workman and W. K English Ramsha Telugu Rev. K Tamil Kannan. Vijayan English T. Kuppusami naidu Tamil Guru. Ramasamikkon Tamil T. Petch English Ananthana Narasimhachar. Durga Rao Telugu V. Balakrishna Telugu H. Krishna Rao English Dr. Humphreys English W. Humpherys English K.
Krishnaswamy Mudiraj English Pathy. V English P. Manga Devi Telugu Smt. Durand English G. A Telugu Prakasa Rao. Subramanyam Telugu K. Lakshminarayana Telugu M. Hale English Blavatsky H. M English Telugu D. Gopalacharyulu Telugu K. Subramanyam Naidu Telugu D. Sriranga Swamy Telugu samachara powra sambadamula shaka andraprdesh Telugu V. Koteshwaramma Telugu D. Murray English Rama Lingam. Ramakrishnama Chary Ramakrishna Telugu T. Sriranga Swamy Telugu Vyasaraj. N Sanskrit Sudarsanacharya. Newbolt English J.
Endell Tyler English F. Balajeed Telugu WM. Badenoch English Rajagopalan. M Tamil B. Subramanyam Telugu Pavansri Telugu J. Rama krishna Telugu Vasantha Bharadwaja. A Telugu Gopal Sastri. N Sanskrit Raghavan. C Sanskrit Mahadeva Sastry. Nagendra prasad Telugu H. Sundaram Telugu P. Gnananandakavi Telugu M. Venkata Subramanya Sastry Telugu K. S Telugu Sarojini Ratnam.
C Telugu Kusumambha. Ganabathya Pillai Tamil K. Bala Sundara Nayakar,M. A Tamil Thirvangadam. Narayanacharyulu Telugu A. Somanatha Rao Telugu M. A Kannada Dr. Pranadharthy Haran. J Kannada Kavignar. Vaarasree Tamil Raghavacharyulu,T. V Sanskrit Venkayya Telugu Raghavacharyulu. Y Telugu Subramanya Sastry. I Telugu Appaiah. M Telugu M. Kachabhupati Telugu Bagaiah. M Telugu S. Chakravarthy Telugu S. Chakravarthy Telugu B. Jangaiah Telugu J. Gopalacharyulu K. Sanskrit Sudarsanacharya.
N Sanskrit Lakshmi Pati. C Sanskrit P. Purnalingam pillai English Suryanarayana Murthy. Ravula Telugu Mohd. Khasim Khan Telugu Venkata Sitaramaiah. P Telugu Venkata Sitaramaiah. P Telugu Janardham. Lavanya saraswathi Telugu C. Appa Rao Telugu B. Haggerty English H. Denning and Herbert S. Lin,Editors English Srirama Sharma. S Kannada Joseph P. Iddings English V. Lakshmikantasharma Sanskrit K.
Radhakrishnamurthy Telugu H. Rao English T. Collingwood English K. Hall English Edward Fitzgerald Tr. English G. Subbamma Telugu Prof. Balajidasu Telugu N. Tirunarayana Swamy Telugu B. Balaji Das Telugu D. T Sanskrit Haggard, H. Venkataramanarasimham Telugu S. N Sanskrit Brahmananda. S Telugu Ananda Rao.
R Telugu H. Satyanarayana Telugu Raju. V Telugu M. Apparao Telugu T. Gangappa Telugu Ramachar. Gopal Reddy Telugu Someswara Sharma. Appala Sanskrit Telugu S. Lakshmmana Reddy Telugu Telugu A. Ramachandran English selvi. Thangamma Appukutti Tamil Sekhilar adi-podi-T. Ramachandran English Dr. Arivoodi Nambhi. S Tamil Rajamanikkam. V Telugu K. V Telugu N. Satyanarayana Telugu S. Vaidyanadhan Tamil M. Chennappa Telugu Krishnamacharya. Reddy Telugu Lakshmi Narasimhulu.
C Telugu Lakshmi Narasimhulu. C Telugu Shivanandha Sharma P. V Tamil V. Lakshmikanta Sharma Sanskrit P. Venkatarama Srowthigal Tamil Venkatarama Srowthigal. Venkata Srowthigal P. Tamil laksmigandha sherma Sanskrit T. Krishnaswamy Telugu Ranganayaki. M Sanskrit Sri Ramachandrudu. V Sanskrit Samantakamani. N Telugu V. Rambabu Telugu Henry B. Veenugopal Rao Telugu Subbaratnamma. Periasamy Muthaluar Tamil V.
Pattabhiramashastry Telugu Smt. Subba Rao Telugu N. Ranga Rao Telugu Mangesh Patkar. Gangappa Telugu Bhanumathi. Subramanyam Telugu P. Appalaswamy Telugu N.
Narsimha Sastry Telugu G. Appala swami Telugu P. Sambulingam pillai Tamil Pandit M. G Telugu P. V Telugu Peranna Sastry. Venkataratnakayasaya Telugu Seshagiri Rao. Venkata Ramasharma Telugu T. Kamala Telugu G. Narayanashastry Telugu B. Lakshmikanta Telugu C. Rajagopalachari English C. Huxley English Thomas H. Murthy Telugu C. Raman English C.
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